Having met some people who were part of the international Rhythms of Resistance samba band, as I used to be in Manchester, I decided to join them yesterday on the latest of Bil’in village’s weekly protests.
Yesterday marked the five-year anniversary of the Bil’in protests, perhaps the most well-known of a collection of similar weekly protests in villages throughout the West Bank which are threatened by the wall. For this reason, the protest was bigger than usual.
In Ramallah I bumped into some people I’d met at Bustan Qaraqa when I visited last week. As it was a Friday and approaching the middle of the day, we’d missed the end of the servees (shared buses) so we split a taxi to Bil’in village. The driver seemed to like me because I spoke Arabic and was handing out nuts. He asked if we were going “against the Jews”. I replied that we were going “against the wall”.
We arrived and followed our ears. The gathering group of protesters of all shapes and sizes, literally hundreds of us, looked fit to burst the edges of Bil’in’s small streets. I said goodbye to my travel buddies and followed my ears once again towards the sound of drums. My first hit was a red herring, as I found myself in the middle of a Palestinian scout troupe marching band. (I could have sworn they were playing samba classic ‘James Brown’ … )
Soon, however, the sound of agogos led me this time to the right group. To mark the anniversary there was a series of speeches and things before the march. This meant it was too loud and crowded to introduce myself to everyone, so after managing a few names I got on with playing samba. After a while of sitting in the sun waiting for the rally to end – I’m not a fan of being “rallied” – we went and found the scouts’ band again and played with them to much amusement.
On the way we passed some clowns – samba’s traditional creative activism allies. It all felt very familiar, right down to the samba rhythms which are the same worldwide. Ok, the hand signals have their own regional “accents” but you get by. There is one rhythm specific to Israel/Palestine though, “Hafla”, which was a pleasure to learn.
As the march began I bumped into some people who’d been at al-Ma’asara a few weeks ago, then some people from my university. It’s time for me to stop marvelling at how small and integrated the international community in Palestine is. Also, I was sure I saw Robert Fisk.
As we marched over a hill and round a corner, a large swarm of protesters came into view around the fence at the top of the next hill. Later, I read that in the absence of the normal amount of soldiers, people broke down a section of the fence and accessed the land on the other side. My sense of familiarity soon waned, as a tanker behind the fence began to fire continuous, large, high-powered jets of what looked like water at and over the protesters.
It took about twenty seconds for the stench to hit. A few people began to retch. Although the liquid smelled like sewage, I was fairly certain this stuff was specially designed to stink. (After a bit of Googling, I found out that Haaretz and others call this a “skunk cannon”.)
We had already decided not to go any further and had stopped to play under some olive trees, a good distance from the flurry of movement on the next hill. We hadn’t been playing for very long when several brown-smoking missiles shot high into the air. Many of these landed close to us in the valley, filling it with a different, blue smoke. An ambulance flew down the narrow country lane, parting crowds of protesters.
Smelly people began to run back past us, coughing and spluttering. It seemed like the best idea for us to follow them, we agreed. Just as I was thinking, “that must have been tear gas,” my throat began to prickle and tighten.

A cloud of gas travels faster than a samba band. My nose and throat began to sting more with every inhalation. My eyes became sore and were streaming. Even the skin on my face burned a little. I wrapped my scarf tighter round my nose and mouth as breathing became more difficult. Other people had brought clear plastic bags to be worn over their heads for protection, while even more people had come prepared with cut onions, a popular but unexpected tear gas antidote.
At this point I was on the verge of becoming a bit miserable with the situation, wondering if the effects would get any worse, and how long it would be until we could breathe again. Then, through the rasping ensemble of the other protesters’ coughing, came the sound of a loud, theatrical chorus of, “Boo, hoo, hooo! Boo, hoo, hooo!” It was the clowns!

We carried on playing as soon as was practicably possible and marched back to the village centre. As the gas began to disperse a little a helpful stranger advised me to remove my scarf and let the gas trapped inside escape, which helped a great deal. Unfortunately, this meant the return of the stink, especially as we passed groups of people along the way who’d been sprayed.
The band debriefed before I said my goodbyes and thank yous and began to seek a servees to get me back home. I got chatting in Arabic to a guy from the Scout band who I’d briefly spoken to earlier, who kindly offered me a lift to Ramallah. And so it happened that I piled into a battered old transit van with several sweaty, uniformed teenage boys and lots of drums, and was handed fizzy pop and sandwiches. This seemed a fittingly bizarre ending to my trip.
I left not really knowing what had happened at the protest on the whole, with a feeling that the whole thing had been over very quickly. I don’t feel in a position to make any general or ideological statements. However, it felt like a good thing to have been there not only is support in terms of numbers but also in terms of making noise/music. I hope at some point my ding-donging kept someone going, as did the clowns’ boo-hooing for me.